Kinh Nghiệm Cá Cược Bóng đá tại nhà cái DA88 Cược là Thắng > 자유게시판

In order to enable it to function in various professional environments, you can switch the the DA88 to run from its internal clock, input Word Sync or Video. Up to 16 machines can be run in sync as one 'combo' machine simply by setting the machine ID numbers using the rear panel switches, and daisy-chaining the sync sockets. The optional SY88 sync board can extract a video frame-sync signal from a composite video signal source. Strangely there is no set zero or return to zero function so, unless you go for the optional autolocator, you're limited to two locate points only. Once a tape has been formatted and rewound the display reads 'bot', which I assume stands for 'beginning of tape'. However, the machine doesn't feel exactly like an open-reel machine in use because the tape has to thread around the head system before it can run. Like Tascam's analogue machines, making a recording requires Record and Play to be pressed simultaneously once you have put the desired track (s) into ready mode. Warning normally accompanies a text message in the display, but as I couldn't provoke the machine into giving me a warning, I've no idea what it might say!

The TDIF-1 format handles track pairs, which restricts copying in this way to going from even-numbered tracks to even-numbered tracks (or odd to odd), but you can copy just one track of the pair by setting just one of the destination pair into record. It is also possible to put the machine into record and then use the track record status buttons to drop in and out. Unlike the Alesis ADAT there is no 'freebie' remote control, but the single unit RC808 remote controller is relatively inexpensive and does include the record status switching. The Shuttle/Jog Wheel on the RC848 remote comprises two concentric dials; the inner one has two finger-detents and spinning this dial in one direction or another will play the audio back as a rate proportional to the rate at which you turn it. The shuttle system provided works very well in practice, but to prevent excessive tape wear, it disengages if it has not been used for 10 seconds. It's very lumpy, but you can tell where you are - which is the main thing. This was supplied with the review model and ta88-9 provided a very professional means of driving the system. Before formatting you have to decide on either 44.1 and 48kHz sample rate.

The audio signal path employs 16-bit linear A-to-D conversion, with 64-times oversampling, with a choice of 48kHz or 44.1 kHz sampling rates. An audible 'shuttle' search facility is fitted, another clue as to the AV leanings of this machine, and there's a choice of two remote controllers available. The more serious RC848 combines multiple machine operation and general remote control facilities with a 99 point autolocator in a package that will be familiar to studio engineers and AV pros alike. The Shuttle control allows the tape to be replayed at a speed set by the position of the control; the playback rate is one quarter to eight times normal playback speed; clockwise plays the tape forwards, while turning anti-clockwise runs the tape backwards. The RC808 duplicates the essential front panel controls for control of a single DA88 while the more comprehensive MU8824 provides record switching for up to six DA88s, a shuttle/jog wheel and full 99 point autolocation. The outer wheel duplicates the front panel shuttle wheel.

A drop-in/out footswitch socket is available on the rear panel - great for musicians working alone. For the first few seconds, the tape winds at a modest rate after which is accelerates to the audio equivalent of warp factor 9, spinning through each minute of recorded audio in less than one second. This is achieved by pressing Locate 1 or 2, and, by setting Repeat, the tape will cycle between the two locate points. Pre and post-roll ensures that you get a run-in to the drop-in point and, after confirming everything is OK, you simply set Auto and go for it. You can make backups in a multi-machine system by digitally cloning the tape from one machine to another and, though I didn't try it, the paperwork seems to indicate that data could be copied from one track to another simply by patching the appropriate connections from the 25-way D-sub digital I/O .